Wishing you all peace and happiness in 2024!
Here is the article from Slow Kyoto
Enjoy Japanese pottery making at my studio,
I'm looking forward to your visit!
Please contact: shigeru451f■gmail.com ■→@
Tea bowls by Nathalie
A letter from Nathalie
With mountains to the East, West, and North, a beautiful clear river with herons and egrets stocking carps,
thousands of shrines, temples, and gardens, Kyoto is a haven for peace and serenity… and I miss it everyday!
It is also one of the most important places for ceramics in Japan. So on my 3 months stay in Japan, learning
Japanese ceramics was my very first priority. Two years before, on my last trip to Kyoto, I visited at the last
minute the Raku Museum…and everything in me suddenly changed. My visit to the Museum had triggered
an unexpected rush of emotions and upon my return to New York City I decided to start taking ceramic classes.
But, nothing, nothing could be compared to the classes I took with Mr. Hirayama when I returned to Kyoto this
past summer.
As I fir st stepped into his studio in the western side of Kyoto, I knew that this was going to be more than just a
pottery class for foreign tourists. And indeed it was much more than that: a real contact with the Japanese
culture through the humble and gracious teaching of Mr. Hirayama. So here it is! Not your local tourist stop
ladies and gentlemen, but a real, open, and generous teaching of this art, its history, and more importantly a
deeper introduction to the Japanese culture. So, turn o your cell phones, put down your cameras, and throw
away your guide books for you are about to step into the realm of a genuine artist who has dedicated his life
to an art too often mislabeled as craft.
From the techniques of the wheel to those of hand-building, from the techniques of slab building to the application
of natural glazes, Mr. Hirayama patiently demonstrated and helped me slowly develop every step of the way
the basic skills needed to start as a ceramist. But, before I would get too tired, as I bent over the piece slowly
spinning on the wheel in front of me, he would call for a break and he would o ffered me tea and Japanese
sweets. And this was when the conversations began. With his impressive knowledge of both Eastern and Western
culture and history, there was never a moment of dull discourse. From the lms of Ozu, Kurosawa, Naruse,
Mizoguchi to those of Godard, Tru ffaut, Wenders, Jarmusch, from the philosophy of Kuki Shuzo to the existentialism
of Sartre, from the Mingei movement of Shoji Hamada to the opposing visions of ceramists Suzuki
Osamu and Yagi Kazuo pioneers of the Sodeisha Movement, the conversation escalated passionately until it
was time to return to the wheel where in all peace and tranquility, together, we gave the bowl resting upside
down, a final touch of love.
You’ll never find another place like this. I know, I won’t.
Merci Monsieur Hirayama,
Nathalie, New York City.
A letter from Allen -
Thank you (arigato!) for the 2 days lesson and sharing on Japanese pottery sessions which you have kindly shared much invaluable experiences.
I enjoyed learning about the traditional organic glazes and refined the lifting technique for the Chawan. And our conversations about the art form of pottery and life's lessons.
Pottery Master-Teacher Shigeru San is a thoughtful, patient, humble and very generous preacher and he shares his pottery skills and little secrets. My two days at his Kyoto studio have further fueled my passion to learn and experiment.
I will be back!
Thank you, Shigeru San.
Allen from Singapore
With mountains to the East, West, and North, a beautiful clear river with herons and egrets stocking carps,
thousands of shrines, temples, and gardens, Kyoto is a haven for peace and serenity… and I miss it everyday!
It is also one of the most important places for ceramics in Japan. So on my 3 months stay in Japan, learning
Japanese ceramics was my very first priority. Two years before, on my last trip to Kyoto, I visited at the last
minute the Raku Museum…and everything in me suddenly changed. My visit to the Museum had triggered
an unexpected rush of emotions and upon my return to New York City I decided to start taking ceramic classes.
But, nothing, nothing could be compared to the classes I took with Mr. Hirayama when I returned to Kyoto this
past summer.
As I fir st stepped into his studio in the western side of Kyoto, I knew that this was going to be more than just a
pottery class for foreign tourists. And indeed it was much more than that: a real contact with the Japanese
culture through the humble and gracious teaching of Mr. Hirayama. So here it is! Not your local tourist stop
ladies and gentlemen, but a real, open, and generous teaching of this art, its history, and more importantly a
deeper introduction to the Japanese culture. So, turn o your cell phones, put down your cameras, and throw
away your guide books for you are about to step into the realm of a genuine artist who has dedicated his life
to an art too often mislabeled as craft.
From the techniques of the wheel to those of hand-building, from the techniques of slab building to the application
of natural glazes, Mr. Hirayama patiently demonstrated and helped me slowly develop every step of the way
the basic skills needed to start as a ceramist. But, before I would get too tired, as I bent over the piece slowly
spinning on the wheel in front of me, he would call for a break and he would o ffered me tea and Japanese
sweets. And this was when the conversations began. With his impressive knowledge of both Eastern and Western
culture and history, there was never a moment of dull discourse. From the lms of Ozu, Kurosawa, Naruse,
Mizoguchi to those of Godard, Tru ffaut, Wenders, Jarmusch, from the philosophy of Kuki Shuzo to the existentialism
of Sartre, from the Mingei movement of Shoji Hamada to the opposing visions of ceramists Suzuki
Osamu and Yagi Kazuo pioneers of the Sodeisha Movement, the conversation escalated passionately until it
was time to return to the wheel where in all peace and tranquility, together, we gave the bowl resting upside
down, a final touch of love.
You’ll never find another place like this. I know, I won’t.
Merci Monsieur Hirayama,
Nathalie, New York City.
A letter from Allen -
Thank you (arigato!) for the 2 days lesson and sharing on Japanese pottery sessions which you have kindly shared much invaluable experiences.
I enjoyed learning about the traditional organic glazes and refined the lifting technique for the Chawan. And our conversations about the art form of pottery and life's lessons.
Pottery Master-Teacher Shigeru San is a thoughtful, patient, humble and very generous preacher and he shares his pottery skills and little secrets. My two days at his Kyoto studio have further fueled my passion to learn and experiment.
I will be back!
Thank you, Shigeru San.
Allen from Singapore